Cylch Dŵr

Over the last year, while working with Maynard and Afon,

I have limited my time on the project to when the sun is passing through one of the 3 water signs and taken the mode of each as a guide to consider and collect different kinds of material.

The process began with a walk down the river Pibydd with the sun in the sign of Cancer. The size and nature of the river seemed to express something of the cardinal mode.

While the sun was moving through Scorpio in 2023 we walked in the woods around Fynnone, perhaps Pluto was watching. The still deep waters of the lake inspired an idea to POOL a collection of sounds and I invited the other Afon artists to select vinyl from my collection to become a resource for a new improvised mix.

With the Sun in Pisces this year I spent some time with the confluence of the river Mwldan into the Teifi and the merging of Nant Duad and Nant Hafren near Castell Henllys. I gathered some material and had an idea to MERGE, to explore ways of bringing together different sound making practices.

When the sun returned to Cancer I returned to MERGE and also looked closer to home to explore the Mwldan in more detail. Taith Afon Mwldan was the result and started to explore ideas of containment and control.

During my time with Afon this November the Sun will be in Scorpio. I plan to explore and record some of the hidden parts of the river. To bring together material gathered over the last year and explore its potential once contained and displaced

More works and posts https://thefoundofmusic.co.uk/?s=afon

https://www.may-nard.org/

Mwldan culverts and crossings

The river Mwldan is a tributary to the Teifi in the town of Aberteifi / Cardigan in west Wales. Starting in the north it runs the length of the town on the western side before joining the Teifi a little way downstream from the old bridge.

Historically the Mwldan was an important part of the industry of the town powering mills along it’s journey before reaching town and being put to use by a variety of industries and traders over the years. These days it is largely overlooked and unseen but it continues to provide a slender and valuable channel of natural habitat for all kinds of wildlife.

I recorded with a hydrophone on all of the crossing points of the Mwldan, edited and layered in the soundtrack of the video above to include the machine noise and mechanics of handling and movement, blending the natural and man made sounds to reflect the natural and unnatural course of the river.

I was recently watching a pair of swans on the Teifi. They swam into the culvert entrance on the Teifi and went under the car park to emerge onto the Mwldan a couple of minutes later. A strange moment walking across the car park knowing there were swans swimming underneath!

Walking upstream the next crossing is the footbridge at Lower Mwldan which used to be a drawbridge. ‘The Old Sail Loft’ buildings have been used for various things over the years, storage for a long time and a Ceredigion Council run training centre for a while before its recent change to arts space and print studios.

After the footbridge the river Mwldan disappears from sight as it runs behind what was once a timber yard and then storage for Furney’s Amusements. For quite a while the open sided sheds could be seen through the gates, full of old fruit machines, pool tables and the like. When the yard changed hands some years ago they sold off all that, I regret not buying the boxes of old jukebox records still marked up with the pubs they had been in.
As we move further upstream the terrace continues to obscure the river before the culvert begins at the back of the old amusement arcade and the river opens up again just before Bath House Rd Bridge.

Moving further upstream the river has 2 more bridges in quick succession for yet another car park and access to Mwldan buildings.

From there the Mwldan meanders through a low lying area with no public access before the final bridge in town on Gwbert rd.

Taurean Time Travel – Analogue Vapourwave?

Looking through some old files from years ago I found the DV recordings of journeys made for ‘Following Fingerprints’. The journeys are around the Teifi valley, between my home in Llechryd and chapels along the River. Read more about the original project here

Over the years my work has played with our propensity for nostalgia and the fetishisation of objects from the past. At the moment there is an unpleasant trend within social media to use this nostalgia as a coded call to right wing racist idiots. I listened to an interesting ‘Explaining History’ podcast episode about our love of nostalgia its origins and uses – Listen here

I also read the Grafton Tanner book Babbling Corpse: Vapourwave and the commodification of ghosts a damning look at the music industry and suggests it’s love of the retro and nostalgic is a symptom of our inability to understand the present state of modernity and contemporary capitalism. Really fascinating read available from Zero books.

Cher is a Taurus
Teifi Bridges

If you’re not familiar with Vapourwave as a term or music genre check it out! My first and favourite encounter was with this classic by Macintosh plus

Babbling Corpse Synopsis from Zero Books
In the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry.
Ours is a time of ghosts in machines, killing meaning and exposing the gaps inherent in the electronic media that pervade our lives. Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media’s ability to appear – as media theorist Jeffrey Sconce terms it – “haunted.”
Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production.
Babbling Corpse reveals vaporwave’s many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism’s effect on art, musical raids on mainstream “indie” and popular music, and anyone intrigued by the changing relationship between art and commerce.

Kids Catch up with more singing pigs

A few nice old kids records I recently put on youtube, flickr or both.
The Bugs Bunny Little golden record and Beatle Beat Goldentone are both 78s and 6inch diameter which means the center labels are too small for most record players to play to the end as the auto stop/return mechanisms kick in at the end point of the more standard size 7 or 12inch labels. Fortunately the PT01 Portable Numark has a switch to turn off the auto stop and plays at 78rpm too!

Sleeve credits say Jim Henson was the voice of Ernie

Why this Pinky and Perky Have a Party video has been blocked by WMG in Japan for the Hokey Cokey track I dont know!

Theres another post with a bunch of other Gala Goldentone 78s here

A circle in 12 parts: Aries

The start of a new series of improvisations with guest artists for 2024.
My first guest for the zodiac sign of Aries was Ailsa Mair. The audio video improvisation was created entirely live, combining a selection of Ailsa’s photos and video clips with astrological symbols, live cameras and sounds.

The session started with a bit of Ann Petrie on vinyl talking about the Aries nature, it combines with a loop of Holst’s Mars and Cor Meibion Aberystwyth before giving way to the cello and voice of Ailsa Mair.

We have been talking of making some work around the tarot and symbol of the fool in particular. Seems wholly appropriate to explore this in the time of Aries.

Check out the Fools Journey on Ailsa’s bandcamp and more music too!
https://thefairytalecellist.bandcamp.com/

A circle in 12 parts – the fifth circle

Here we go again!

The fifth circle will be about creative expression for it’s own sake, a more outgoing display of creativity. What does that mean? Basically more visible output.

More livestreaming. More guests. More opportunities for play

The nature of the fifth circle is a reflection of the zodiac sign of Leo and the fifth house.
I intend to embrace my Leo rising, to open, share and lead creative processes.
Pluto and Neptune are conjunct in the fifth house of my birthchart.. so that’s nice!

The Pilgrim’s Process: Modular Pilgrim

The Pilgrim’s Process started in 2004 and maybe never really ended… (read more here).
Primarily a visual project to accompany Vinyl Altar, a live turntable improvisation performance project exploring religious recordings on vinyl, it also includes a number of videos with fixed soundtracks. These 2 recent videos are made live with live modular synths and Resolume VJ software.
The CD artwork for Vinyl Altar links through to mp3 downloads of the recordings from that disc, recorded in 2005. The film below that was an edit from a much longer work created in 2006 with a broken camera, my first post on the then new Youtube!

Vinyl Altar (2005)

the fourth circle: Midwinter circles

The final installment of improvisations for the 4 cardinal calendar points. 

Produced live the stream includes the remnants of a fiery circle for Sagittarius for a while before we transition into the liminal space of the solstice, that point of transition leading into a new phase of the year. Another layer explores the emerging Cardinal earth element, filmed by Jay while moving through the landscape earlier on the day. 
Live cameras are processed through an analogue circuitbent video enhancer, and layer up with live tarot, synths, vinyl and bass guitar as well as readings of texts on themes of the solstice, earth and Capricorn.
With 2 Capricorns in the room they got to select vinyl for the evening, subsequently looped and processed by Jay through a variety of pedals they merge with the Make Noise synth sounds shifting and evolving over time. Thanks to guests Rhowan, Erin & Manny as well as regular players Jay and Keryl for their thoughtful and playful contributions.