Untitled: Holy Hiatus

Since 2008 I have been part of this project by Maura Hazelden and Lou Laurens.
It has taken place on May 22nd at the same time and place most years since, with 2 exceptions, 1 year was lost due to admin error and one to a pandemic.
This year the date shifts and an opportunity for change arises.

https://untitled-holyhiatus.blogspot.com/

“does dim llwybr; ni sy’n ei greu wrth gerdded”

there is no path; we make the path by walking’ Antonio Machado

Mae’r digwyddiad perfformiadol hwm yn dangos sut y gellir creu, profi a rhannu gofod trothwyol, trwy ddefnyddio cyfres o symudiadau a chân o’r 13 ganrif dros gyfnod o 6 awr.

Mae pob un digwyddiad yn cynnwys perfformiad lleisiol byw a chwarae recordiad y flwyddyn flaenorol; mae’r broses yn chwyddo ymateb acwstig y gofod ac o dipyn i beth bydd yn goresgyn y recordiad blaenorol i ffurfio llun rhyfeddol mewn sain.

Maura Hazelden was commissioned by Ruth Jones in 2008 to create a work for Holy Hiatus: a series of artworks and a symposium. In collaboration with Lou Laurens she created a six hour event using repetition and stillness in the Small World Centre, then newly completed.  untitled: holy hiatus is an annual ritual. 

2012
2024
15 x 3 minute extracts from the 5 hours 30 minute point, recorded at the same time, date and place over 15 years. The 1st years recording was played and recorded the following year with added live voice. That second recording was played the following year and recorded with added voice again. This was repeated until 2012 when the additional voice was added for the last time.

Taurean Gig(gle)

Ive been invited to play some sounds on Wednesday evening for the Walden Arts folk here in Aberteifi.

So with the sun in Taurus, I will be playing modular synths with a set of Taurean and Venusian flavour tunes and cosmic samples to ramble through.

A circle in 12 parts: Aries

The start of a new series of improvisations with guest artists for 2024.
My first guest for the zodiac sign of Aries was Ailsa Mair. The audio video improvisation was created entirely live, combining a selection of Ailsa’s photos and video clips with astrological symbols, live cameras and sounds.

The session started with a bit of Ann Petrie on vinyl talking about the Aries nature, it combines with a loop of Holst’s Mars and Cor Meibion Aberystwyth before giving way to the cello and voice of Ailsa Mair.

We have been talking of making some work around the tarot and symbol of the fool in particular. Seems wholly appropriate to explore this in the time of Aries.

Check out the Fools Journey on Ailsa’s bandcamp and more music too!
https://thefairytalecellist.bandcamp.com/

The Pilgrim’s Process: Modular Pilgrim

The Pilgrim’s Process started in 2004 and maybe never really ended… (read more here).
Primarily a visual project to accompany Vinyl Altar, a live turntable improvisation performance project exploring religious recordings on vinyl, it also includes a number of videos with fixed soundtracks. These 2 recent videos are made live with live modular synths and Resolume VJ software.
The CD artwork for Vinyl Altar links through to mp3 downloads of the recordings from that disc, recorded in 2005. The film below that was an edit from a much longer work created in 2006 with a broken camera, my first post on the then new Youtube!

Vinyl Altar (2005)

POOL: y ddechreuad

POOL is a beginning, the starting point for a stream.

Afon artists are invited to browse a database of vinyl records and select a track or album to create a sonic POOL from which samples will flow and LOOP to become a stream.

Forming in the fixed water sign of Scorpio, POOL suggests the start of a journey into hidden otherworlds. Moving into and immersion in the POOL takes us into the unknown, a place where real and unreal worlds interact, where both become fluid memory and noise is the only true reality..

The POOL starts to form with these selected records :
Joni Mitchel – Clouds;
Johnny Cash – Big River;
Top of the Pops Artistes – Float on;
Neil Diamond – Walk on Water;
Johnny Cash & Marty Robbins – Cool Water

Vinyl Shore (2016)

the fourth circle – circles for the solstice

Improvised audio visuals with J&K Hodges on turntables, pedals and synths. Cardinal water and crystal circles for an anniversary with live circle drawing by Spike from https://waldenarts.co.uk/

The Fourth Circle

The fourth circle is a return to the cardinal mode, itself suggesting a new initiatory principle that marks a shift towards more tangible and visible circles both at home and beyond.

Astrologically speaking the 4th house represents the home and family life, echoes the zodiac sign of Cancer, the cardinal mode and water element. The number 4 also suggests solidity, stability and structure, perhaps representing the solid physical world. With these principles in mind the work will extend further into the physical space of the studio and around my home as well as out to wider audiences in the coming year..

The social ritual that has developed over the year of the third circle with Jay and Keryl will also be extended to create a new, larger circle around the home, engaging more people in the physical world by inviting new participants to social ritual performances around the 4 Cardinal points of the zodiac.

(edited extract from circular ramblings)

Mycelium Manifestation: spore prints

A great day in Aberystwyth Arts centre for the Aberetwm celebrations. Some lovely conversations with new and old friends. Thanks to everyone who came along and joined in and thanks to Marc and Becca for having us there!

I started off the sounds of the day with recordings made on Aberystwyth beach, the waves led us up onto the prom where voices and gulls joined in with some short loops of cello, bass and viol from the lovely Sianed Jones who’s loopstation I inherited full of memories.
From there we heard the call of Penglais woods where the rich and lively birdsong merged with voices and music from the Arts Centre. The voice of Peter Stevenson and music from Ailsa Mair Hughes, recorded during the Flora exhibition in 2017, evokes and describes the geographic and botanical world of Penglais hill as experienced by John Salter in the 19th Century before being submerged in the drones and loops from vinyl records connected to Aberystwyth.
The Vinyl Mycelium connections resonate, ogham trees adding new layers of connection reaching out to both past and future. Traditional instrumental sounds from Deuair bring us back to the present and merge with loops of the past – a stream begins to flow.

Live stream recorded from the event (apologies for some random level changes)

Above is a horoscope chartwheel for the day in Aberystwyth – this recurs in the live visual mix, rotating and merging with another more artistic impression of the chart drawn up for my collaboration with Jay and Keryl Hodges and the third circle.

The space was also inhabited by the mysterious figure of the mushroom man tending his pods and silently connecting us to a world beyond.

4 photos above by Keryl Hodges https://www.instagram.com/littleappleseed/
4 photos below by Sean Vicary https://www.seanvicary.com

4 photos below by Jo Shapland https://www.instagram.com/joshapland

Mycelium Manifestation – a circle for Aberetwm

A 6hr performance/sound installation as part of Aberystwyth Arts Centre’s 50th birthday celebration.
We will be in the Arts Centre theatre from 12pm – 6pm on Monday 8th May.

Mycelium Manifestation
Sounds of Penglais emerge from the sea.
Local voices resonate and repeat creating new forests of potential where past and future coincide.
Fragments of the past loop, crackle, hiss and drone from a collection of audio equipment, old record players and vinyl records.

A curious figure (created by Dominic Saha) investigates how nature can adopt its persona by abstracting the sentient qualities found in fungus. He will inhabit the character of Mushroom Man, the protector of curious giant seed pods whose mysterious presence is amplified and animated by the shifting sound score transforming the ritual caretaking into something otherworldly that conveys a converging of something both ancient and futuristic.

Whittaker & friends will manifest to channel the spirit of the mycelium connecting the trees, embracing Venus to explore and connect with the spring energy of Taurus to create a ritualistic soundscape for modern times.
Old and new combine to explore memory, music, repetition, ritual and function.

You are invited to join us in a ritual sound making experiment.
Contribute and connect with voice and vinyl records to conjure a new lost forest world made from symbols of the past to connect with the future.

A Forest of Words – Find out your celtic zodiac tree and record your tree name to help grow a forest, who knows maybe we’ll summon some Dryads

Vinyl Mycelium – Browse a collection of vinyl connected to Aberystwyth and select tracks for the mix. From Datblygu to George Melly, to Cor Meibion Aberystwyth via Laurie Anderson to The Sound of Music and Cor Cantre Gwaelod, the connections are there to be discovered.

A circle in 12 parts: Taurus

This year’s circle in 12 parts features guest artists chosen by zodiac sign, my guest for Taurus is Rhowan Alleyne:

“The playlist started by looking up people who I share my birthday with. I remembered Grace Jones already but I had forgotten about Malcolm X. I was somewhat alarmed by Pol Pot.

Then I saw Ho Chi Minh. So this is where the idea of doing something ‘revolutionary’ arose. I looked up the soundtrack for Spike Lee’s film, Malcolm X, which is where several of the vinyl choices came from. I’ve always loved The Planets suite since I played in a youth orchestra many years ago so I was really happy that Jake has that as one of his ‘base’ records. Venus transports me every time to a place of calm and beauty. 

Being a swimmer, naturally I’m interested in the mermaid side of my planetary ruler. There’s an oceanic turn happening in some parts of the humanities.   A paradigm shift towards a more watery understanding of the world that has huge value for the ecological and environmental movements. And our well-being.

My affinity with the ‘blue humanities’ comes from embodied immersion in the seas around the coast of west Wales. It tunes me in to the seasons and heightens environmental consciousness.

In prehistoric times sea levels were lower and the larger wild mammals were not yet extinct. Swimming at Whitesands I took my GoPro into the sea and recalled the horn of the wild bull that was found on the beach after a storm one winter. The poem about it is kind of a layering of time and experience. But it’s also about Venus, about knowledge that comes from the sea and about the only thing that’s worth doing when all else is lost, and that is to love the world and love each other unreservedly. 

Sea monsters I don’t see as villains anymore but as the ultimate disrupters of human hypocrisies and vanities.”

Rhowan’s vinyl record selection: China Crisis – Performing Seals; Tracy Chapman – Talkin’ bout a revolution; Marvin Gaye – Inner City Blues; Ariel Ramirez – La Peregrinacion; Lionel Hampton – Flying Home; Herb Alpert – Surfin Senorita; Velvet Underground – Venus in Furs; Public Enemy – Revolutionary Generation; Grace Jones – Pull up to the Bumper; KLF – Justified and Ancient; Panic Allstars – Change is gonna come; Holst – Venus.

Venutian Revolution

Tracklist:

  1. Born in the Foam 
  2. Vibrant Earth 
  3. Sinking and Extinction 
  4. Revolutionary Bodies 
  5. Big Pink Bells 
  6. Selkies aren’t the Enemy 

Born in the Foam

How do the ocean born love?
As though we’re the last ones 
left alive on Earth 

or like aurochs swimming
through flooded forests 
whose lush understories swish and sway
in the undercurrents

or like navigators 
who chart course 
by memory of shearwaters flocking
and shoals of silvery herrings
that fly across 
the darkest night skies

without fear of the depths
or turning tides

Vibrant Earth

At the beach, on the shore, in the sea

is where I am most in touch 

with the Earth’s 

sensory vibrancy. 

In spray hanging in the air 

above waves peaking on an offshore wind, 

sunlight splits and rainbows flash fleetingly,

just inches away. 

Time is layered 

in the sediments that rise slowly above sea level, 

and in the sand that is building around the marram grass. 

One night a storm surge will slice through it all 

and in the morning we’ll marvel at the cliff falls, 

the strata, the root systems tangled and dangling. 

The river in spate loosens a dinghy from its tether, 

pushing it to the black rocks 

where the sand sucks it down 

but its red and blue stern juts out, 

just like one of the jagged stones.

A tree trunk that’s drifted down the estuary 

is dragged from the tideline and burnt 

on the edge of the dune, 

its smoke seeping into the clothes 

of dancers bopping to simple minds on a bluetooth speaker 

whilst waiting for a comet’s tail to fan itself 

like a swan’s wing across the northern sky

Each thing it’s own thing 

in time and space, 

its own momentum, trajectory and tangled relationships with others, and us. 

Each day, 

shifting winds, tides, sunset and sunrise, 

cliff falls, rainfall and currents 

re-sculpt the Earth and how we know it.

Sinking and Extinction

Are sea levels rising or earth levels falling? 

Either way, we better learn to swim. 

The skills we need for the future 

work with the ebbs and flows, 

ripples, eddies, 

swipes of tail flukes, 

racing fins, rips, drifts and seal snorts 

of a more watery world. 

Of letting go of solid ground. 

Of humility and fearlessness. 

Of sinking into, or out of, extinction.

Revolutionary Bodies

Walking, swimming and other things that put us back in touch with our bodies, are the times when we’re in touch with our becomings. Swimming, which combines streamlining with intentional instability and surrender of total control to the forces in the waters, disrupts our usual ways of moving and thinking. Body surfing forces adaptations to our bodies and minds through gentle and crashing action. Getting slammed and scraped, sucked out and slapped in the face, pumped and dumped are all part of the battle and the fun, if you own it. A swimmer’s language is slippery, becomes fluid and mutable. Swimming re-wilds us. We submerge and we subvert. We submerge to emerge. We’re divers and freedom fighters. Sea swimming is a radical practice in flow, with the uncertainty and heartbreak of a broken world.

Big Pink Bells

You can’t think about swimming without thinking about 

bodies 

and the sensory experience 

of touching, hosting, interacting and empathising 

with other bodies.

As water sculpts the earth, 

so it reshapes swimmers’ bodies; 

re-enchanting us to the beauty of change, 

to the thrill of connecting 

and blurring our boundaries with

cold currents, 

thumping shorebreak, 

gritty impacts, 

urchins, dorsal fins, 

winds, driftwood, 

sand eels, jellyfish, 

rope zombies, dead crabs, 

the sun, the salt. 

I’m a swarm of big pink bells, 

a mussell on the perch, 

spider crabs spawning, 

an octopus observing that it’s being observed, 

a razor clam, 

a forest of sandmasons fanning their tiny branches, 

a lugworm cast forming, 

a walrus balancing a starfish on its nose

A pebble bored by an angel wing.

My skin is as mottled as a seal pelt

as scarred as a bottle nosed dolphin’s

Crushed oyster shells, leaf mould, silt and algae cling to my wrinkles 

is a swimsuit an intertidal zone?

Selkies Aren’t the Enemy

leviathan,
atargatis,
scylla
the cracen
medusa
cthulu
godzilla
ursula
jaws
the meg

sea foam
hissing and shining, 
dissolving and reforming 
with every wave

Other records in the mix: Roger Christian – Discover yourself through Astrology; John Dankworth – The Zodiac Variations; Cosmos – Your Stars for 1968; Norrie Paramour Orchestra – The Zodiac Suite; Cannonball Adderley presents – Soul Zodiac; Cosmic Sounds – The Zodiac; Madame Francesca – Your spoken Horoscope – Taurus