Looking through some old files from years ago I found the DV recordings of journeys made for ‘Following Fingerprints’. The journeys are around the Teifi valley, between my home in Llechryd and chapels along the River. Read more about the original project here

Over the years my work has played with our propensity for nostalgia and the fetishisation of objects from the past. At the moment there is an unpleasant trend within social media to use this nostalgia as a coded call to right wing racist idiots. I listened to an interesting ‘Explaining History’ podcast episode about our love of nostalgia its origins and uses – Listen here

I also read the Grafton Tanner book Babbling Corpse: Vapourwave and the commodification of ghosts a damning look at the music industry and suggests it’s love of the retro and nostalgic is a symptom of our inability to understand the present state of modernity and contemporary capitalism. Really fascinating read available from Zero books.

If you’re not familiar with Vapourwave as a term or music genre check it out! My first and favourite encounter was with this classic by Macintosh plus

Babbling Corpse Synopsis from Zero Books
In the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry.
Ours is a time of ghosts in machines, killing meaning and exposing the gaps inherent in the electronic media that pervade our lives. Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media’s ability to appear – as media theorist Jeffrey Sconce terms it – “haunted.”
Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production.
Babbling Corpse reveals vaporwave’s many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism’s effect on art, musical raids on mainstream “indie” and popular music, and anyone intrigued by the changing relationship between art and commerce.