Traditional mix of vinyl loops from 3 copies of Holst’s Mars from The Planets, 2 by the L.A. Philharmonic Orchestra and 1 by Tomita; A loop from Scorpio on Cannonball Adderley presents Soul Zodiac and a little bit of voice from Sydney Omarr’s Scorpio.
DansetteTempo, Ultra and Beogram 1000 record players with 3 Jazz records at 92 Lammas St. (2005)
sIMpleX (webcast 2008)
3 records on: Dansette – Hawaii Calls: Waikiki after Dark, Presented by Webley Edwards. Ultra – Dire Straits – Money for Nothing. BSR: Herb Alpert & the Tijuana Brass – Going Places.
Circular ramblings..halfway through another circle.. What is a Circle in 12 parts? A series of improvisations exploring parallels between creative and ritual practice, the symbolic power of the circle, the zodiac, repetition and magic. An ongoing process of artistic exploration and interpretation of astrology and the zodiac.
Why? Astrological, mystical and religious symbols were ever present growing up. My mum was an astrologer and psychic for a good part of my childhood according to her marketing. I can remember her having a fortune telling tent at the outdoor market just outside New Quay for a few seasons, in my memory it was decorated with astrological and other mystical symbols. She would offer a range of fortune telling skills from astrological charts and predictions to tarot and palmistry, runes and crystal ball. Later on she worked as a reporter for the local paper, was town clerk in Ashburton Devon for a while and went on to write a number of books, probably becoming better known for that, though she did continue to read tarot and look at astrological transits for people now and then.
“I know that in the village they refer to me as the ‘fortune-teller’; in spite of the fact that I never use that term to describe myself. My father, who passed down the skills I use, always insisted that I should be referred to as a psychic practitioner – but if people get their fortune told they usually end up calling the person who did it a fortune-teller, so I live with it and with the abuse it brings.” from Diary of a Fortune-Teller.
My mother didn’t make spells or potions (though she was asked to on occasion) but she did have an extraordinary ability to intuitively understand people and to empathise with them. Astrology, tarot, palmistry or runes, she was able to read the symbols creatively, to intuitively relate them to reflect the questions of clients, to encourage a greater level of self awareness enabling them to answer the questions they were asking themselves. It seems to me interpreting the different divination methods is a creative act – taking a few keywords or principles represented by a set of cards or symbols on a circle and finding connections and creating meaning for an individual, effectively an exercise in creative thinking and writing. I found this cassette in a local charity shop back in 2014 roughly. My mum was doing these for about 10 years so there must be loads of them out there!
Symbols and circles Images have power, symbols meaning and influence, they affect us and the world around us. Astrological planetary symbols combine 3 basic elements, the cross, crescent and circle which recur in different configurations to form the glyphs for the different planets.
Probably the most well known and an interesting example of astrological symbolism permeating into our mainstream consciousness is the use of the Mars and Venus planetary symbols to denote male and female. In a patriarchal world ruled through division one can see how the meaning has developed, however reductive it might be. To simply describe Mars and Venus as male and female denies so much subtlety, are ideas of beauty and love only feminine in nature? Are aggression and ambition only ever male principles? of course not, and despite the fact that astrology is full of polarised principles it is also full of nuance in how they interact and the resulting modification of their expression.
The circle presents as a much more neutral symbol, though astrologically it is likely seen as a male principle within the chart (the sun), it has not permeated into our collective visual language in that way. It also is the container for the chart itself and in that sense, is in my mind, a symbol of wholeness of inclusion, unification and completeness.
Astrology embraces one fundamental urge and principle over all others and that is the interconnection of everything. While you might think it’s model of the universe is flawed, for anyone studying physics or religion, or for anyone who thinks even briefly about the nature of our place in the universe, this principle is there.
Astrology is about time and place. Meaning ascribed to moments in time and space. Through its lens a circle in 12 parts encourages us to observe and contemplate moments in time, to be here now, to be part of a creative act manifesting in that moment, to share and become part of the circle.
Over the last 3 years as the project has developed, certain elements have become more significant than others. One in particular is the ‘Nowness’ of it. I am trying to make work ‘live’ as much as possible, both in terms of the audio/visual performances themselves and the resources used within them. Visual material, textures and patterns referring to the zodiacal elements are gathered processed and used while we are in that sign e.g. footage of skies during Gemini are taken and used under the sign of Gemini.
As an ongoing process this is having an interesting effect on my life and practice as I find myself constantly looking for new material relating to each element as we move through the months and keeping an eye out for vinyl to connect with the themes and meanings of the planetary rulers and zodiac signs.
Summoning circles made of mutable earth. Most of the time the AI generated images of circles become slideshow videos which become layers of colour and texture in live audio visual improvisations. I was quite intrigued by the Deep Dream Generator’s results and thought I’d have a go at making one move…it’s quite a lot of work for an ok result.
So I put one into Runway’s Gen2 to see how it might move it…
Pretty cool but expensive to do anything more. I decided it’s more interesting to have the separate components as layers in Resolume, that way they can change direction and adjust speeds individually according to the tempo.
A circle in 12 parts has from its beginning included a number of vinyl records as a constant resource. The records of Holst’s planet suite is the most obvious one and I have a number of different versions of it, mostly orchestral but with a couple of electronic variations. When it comes to certain zodiac signs the planet suite doesnt figure as there are no compositions dedicated to the Sun and Moon, or Luminaries as they are known in astrology. I posted a bit here about the records I came to use for these https://thefoundofmusic.co.uk/2022/07/25/music-of-the-spheres/
Along with a regular set of vinyl representing the planetary or luminary rulers of the signs there are also astrological spoken word records from Melvin J Gunton, Sydney Omarr, Patric Walker, Maurice Woodruff, Madame Francesca and Anne Petrie. Most of the astrology spoken word records have been recorded to yoube and are embedded in posts on the different Zodiac signs. I’ve a couple of spoken word records that cover the whole Zodiac, Astrology for Young Lovers narrated by Casey Casem, Roger Christian’s Discover yourself through Astrology and Your stars for 1968 by Cosmos.
There are some musical interpretations of the Zodiac with TheZodiac Suite from Norrie Paramour strings and orchestra, Russell Grants Zodiac Jukebox, Johnny Dankworth’s Zodiac Variations Cannonball Adderly’s Soul Zodiac, Roberta Kelly’s Zodiac Lady. Since starting the project in 2020 I have managed to get the entire series of ‘Astromusical House of…’ records with a booklet of interpretation notes by Carroll Righter. I love this set of muzak covers of popular hiots of the day (1969) themed to tie in with characteristics of each sign (these are all recorded playing straight and on youtube)
So far all the vinyl mentioned here has obvious astrological connections but theres a few others that have become staples of the improvisations. These are chosen to refer more to the magical ritual aspect of the project. A Kind of Magic by Queen (almost always in the mix in some way), The Magic Key by Charles M Simmons has some great moments and Percy Thrower’s guide to good gardening record is fantastic to place us at a particular time of the year. I’m sure there are others Ive forgotten…
There are images of all the records mentioned somewhere in the posts on here and many videos of them too. Images of these and more of my vinyl collection are also posted on my Flickr feed
I have been using AI image generators for a while to create circles made of the 4 elements and this year I gave the AI the mode and element as a guide to create them. They go on to become animated layers within the live streamed visual mixes and are rarely seen in their original state as shown below.
Improvised audio visuals with J&K Hodges on turntables, pedals and synths. Cardinal water and crystal circles for an anniversary with live circle drawing by Spike from https://waldenarts.co.uk/
The Fourth Circle
The fourth circle is a return to the cardinal mode, itself suggesting a new initiatory principle that marks a shift towards more tangible and visible circles both at home and beyond.
Astrologically speaking the 4th house represents the home and family life, echoes the zodiac sign of Cancer, the cardinal mode and water element. The number 4 also suggests solidity, stability and structure, perhaps representing the solid physical world. With these principles in mind the work will extend further into the physical space of the studio and around my home as well as out to wider audiences in the coming year..
The social ritual that has developed over the year of the third circle with Jay and Keryl will also be extended to create a new, larger circle around the home, engaging more people in the physical world by inviting new participants to social ritual performances around the 4 Cardinal points of the zodiac. (edited extract from circular ramblings)
A great day in Aberystwyth Arts centre for the Aberetwm celebrations. Some lovely conversations with new and old friends. Thanks to everyone who came along and joined in and thanks to Marc and Becca for having us there!
I started off the sounds of the day with recordings made on Aberystwyth beach, the waves led us up onto the prom where voices and gulls joined in with some short loops of cello, bass and viol from the lovely Sianed Jones who’s loopstation I inherited full of memories. From there we heard the call of Penglais woods where the rich and lively birdsong merged with voices and music from the Arts Centre. The voice of Peter Stevenson and music from Ailsa Mair Hughes, recorded during the Flora exhibition in 2017, evokes and describes the geographic and botanical world of Penglais hill as experienced by John Salter in the 19th Century before being submerged in the drones and loops from vinyl records connected to Aberystwyth. The Vinyl Mycelium connections resonate, ogham trees adding new layers of connection reaching out to both past and future. Traditional instrumental sounds from Deuair bring us back to the present and merge with loops of the past – a stream begins to flow.
Live stream recorded from the event (apologies for some random level changes)
Above is a horoscope chartwheel for the day in Aberystwyth – this recurs in the live visual mix, rotating and merging with another more artistic impression of the chart drawn up for my collaboration with Jay and Keryl Hodges and the third circle.
The space was also inhabited by the mysterious figure of the mushroom man tending his pods and silently connecting us to a world beyond.