Diolch i pawb am dod allan ar nos Iau diweddaf a thrwy’r arddangosfa. Thank you to everyone for coming out last Thursday night and through the exhibition!
A few images and clips from the installation as it continued to change over 3 days in Oriel Saith (Thanks to Elsa and Sam V for the photos from Thursday, I managed to completely forget to press record on anything!)
Just over halfway through my 6th year of the project approaching the actual halfway point of the circle at the end of 6th, beginning of the 7th part. This moment is represented by the sign Libra, a symbol of balance and harmony and the only non-animal sign in the Zodiac. Does this suggest that balance and harmony are unnatural states? ideas or ideals created rather than observed?
Ruled by Venus it led me to a Welsh folk song “Mae Nghariad I’n Fenws” which I have one version of on the vinyl record above. I found it first in a book of sheet music for recorder ‘ Alawon Cymru ar gyfer y recorder’.
One thing leads to another as Libra and Venus led me to ‘Liebestraum’ by Franz Liszt and a Youtube short. There will be a longer version at some point..
And on to Chanson D’amour by Libran composer Gabriel Faure, which eventually glitched up to become Chanson D’ommage, a combination of Hommage and Dommage – A damaged tribute song perhaps?
During the last week of Libra I worked with Erik Satie’s Gnossienne No1. I know Satie wasn’t a Libran but he is a favourite composer of my good friend and Libran Sean Vicary, for whom this was a birthday gift. Interesting challenge trying to sequence a composition that has no bar markings and no time signature!
Gnossienne: The Awareness That Someone You’ve Known for Years Still Has a Private and Mysterious Inner Life. Definition by the Dictionary of Obscure Sorrows.
Cylch Arall continues an experiment in combining traditional music and contemporary instruments with live video processing to explore themes of time and place.
Opening on Thursday with a performance with my good friends Ceri and Elsa. We will be playing a few traditional Welsh folk tunes and hearing how they work with a mix of modular synthesisers and traditional harp and fiddle!
Last year Elsa and I played the tune Aberteifi to accompany local storyteller Jessie Wild and we recorded a version for the Cylch Aberteifi video show as part of the Festival of Lights, well several versions, these two got posted.
From 4-7pm I will be in the village hall revisiting some of the processes explored and developed over the last 2 years with a mix of vinyl, field recordings and modular synths.
Since 2008 I have been part of this project by Maura Hazelden and Lou Laurens. It has taken place on May 22nd at the same time and place most years since, with 2 exceptions, 1 year was lost due to admin error and one to a pandemic. This year the date shifts and an opportunity for change arises.
there is no path; we make the path by walking’ Antonio Machado
Mae’r digwyddiad perfformiadol hwm yn dangos sut y gellir creu, profi a rhannu gofod trothwyol, trwy ddefnyddio cyfres o symudiadau a chân o’r 13 ganrif dros gyfnod o 6 awr.
Mae pob un digwyddiad yn cynnwys perfformiad lleisiol byw a chwarae recordiad y flwyddyn flaenorol; mae’r broses yn chwyddo ymateb acwstig y gofod ac o dipyn i beth bydd yn goresgyn y recordiad blaenorol i ffurfio llun rhyfeddol mewn sain.
Maura Hazelden was commissioned by Ruth Jones in 2008 to create a work for Holy Hiatus: a series of artworks and a symposium. In collaboration with Lou Laurens she created a six hour event using repetition and stillness in the Small World Centre, then newly completed. untitled: holy hiatus is an annual ritual.
2012
2024 15 x 3 minute extracts from the 5 hours 30 minute point, recorded at the same time, date and place over 15 years. The 1st years recording was played and recorded the following year with added live voice. That second recording was played the following year and recorded with added voice again. This was repeated until 2012 when the additional voice was added for the last time.