Ive been invited to play some sounds on Wednesday evening for the Walden Arts folk here in Aberteifi.
So with the sun in Taurus, I will be playing modular synths with a set of Taurean and Venusian flavour tunes and cosmic samples to ramble through.

Ive been invited to play some sounds on Wednesday evening for the Walden Arts folk here in Aberteifi.
So with the sun in Taurus, I will be playing modular synths with a set of Taurean and Venusian flavour tunes and cosmic samples to ramble through.

Loops of 5 Judy Collins vinyl records.
Both Judy Collins and William Walker, the composer of the tune ‘New Britain’, have birthdays in Taurus.
I worked with Amazing Grace quite a bit some 20 years ago but was surprised I couldn’t find a recording using all my copies of the Judy Collins 7inch version.
Annoyingly the small phono mixer turned out to be a bit noisy, its kind of ok for a bit, but kind of not.
I think its the Sony turntable that was causing it, swapped that for a line level Numark and it seemed much better (no3).
After a while of vinyl only loops, No3 has the tune sequenced with synth sounds and effects too. The recognisable bits of the song mean it can’t be seen in Russia and Belarus.
A great day in Aberystwyth Arts centre for the Aberetwm celebrations. Some lovely conversations with new and old friends. Thanks to everyone who came along and joined in and thanks to Marc and Becca for having us there!
I started off the sounds of the day with recordings made on Aberystwyth beach, the waves led us up onto the prom where voices and gulls joined in with some short loops of cello, bass and viol from the lovely Sianed Jones who’s loopstation I inherited full of memories.
From there we heard the call of Penglais woods where the rich and lively birdsong merged with voices and music from the Arts Centre. The voice of Peter Stevenson and music from Ailsa Mair Hughes, recorded during the Flora exhibition in 2017, evokes and describes the geographic and botanical world of Penglais hill as experienced by John Salter in the 19th Century before being submerged in the drones and loops from vinyl records connected to Aberystwyth.
The Vinyl Mycelium connections resonate, ogham trees adding new layers of connection reaching out to both past and future. Traditional instrumental sounds from Deuair bring us back to the present and merge with loops of the past – a stream begins to flow.

Above is a horoscope chartwheel for the day in Aberystwyth – this recurs in the live visual mix, rotating and merging with another more artistic impression of the chart drawn up for my collaboration with Jay and Keryl Hodges and the third circle.

The space was also inhabited by the mysterious figure of the mushroom man tending his pods and silently connecting us to a world beyond.




4 photos above by Keryl Hodges https://www.instagram.com/littleappleseed/
4 photos below by Sean Vicary https://www.seanvicary.com




4 photos below by Jo Shapland https://www.instagram.com/joshapland




A 6hr performance/sound installation as part of Aberystwyth Arts Centre’s 50th birthday celebration.
We will be in the Arts Centre theatre from 12pm – 6pm on Monday 8th May.

Mycelium Manifestation
Sounds of Penglais emerge from the sea.
Local voices resonate and repeat creating new forests of potential where past and future coincide.
Fragments of the past loop, crackle, hiss and drone from a collection of audio equipment, old record players and vinyl records.
A curious figure (created by Dominic Saha) investigates how nature can adopt its persona by abstracting the sentient qualities found in fungus. He will inhabit the character of Mushroom Man, the protector of curious giant seed pods whose mysterious presence is amplified and animated by the shifting sound score transforming the ritual caretaking into something otherworldly that conveys a converging of something both ancient and futuristic.
Whittaker & friends will manifest to channel the spirit of the mycelium connecting the trees, embracing Venus to explore and connect with the spring energy of Taurus to create a ritualistic soundscape for modern times.
Old and new combine to explore memory, music, repetition, ritual and function.
You are invited to join us in a ritual sound making experiment.
Contribute and connect with voice and vinyl records to conjure a new lost forest world made from symbols of the past to connect with the future.
A Forest of Words – Find out your celtic zodiac tree and record your tree name to help grow a forest, who knows maybe we’ll summon some Dryads
Vinyl Mycelium – Browse a collection of vinyl connected to Aberystwyth and select tracks for the mix. From Datblygu to George Melly, to Cor Meibion Aberystwyth via Laurie Anderson to The Sound of Music and Cor Cantre Gwaelod, the connections are there to be discovered.


Improvised audio visuals with J&K Hodges on #turntables #pedals #MakeNoise #blackandgold #Strega #0Coast #0Ctrl #live #vj #analog #circles #circuitbent #tree #mayday #ritual #cragenbeca
The fourth circle at Beltane with friends Ceri, Elsa and Kathryn.
I previously wrote about my plans for the fourth circle here.
Visual earth symbols for this session are almost exclusively derived from video clips of the trees of the Ogham Tree alphabet which I have been collecting as part of a new work for ‘Aberetwm’ at Aberystwyth Arts Centre on May 8th.




The birthcharts in the video are mine and Jay and Keryl’s. There’s also one drawn up from the date, time and place of our first play together on Youtube on March 22nd last year.

We were also celebrating the anniversary of the wonderful Cragen Beca parade in Carmarthen on Mayday 2022. An amazing project with public art parade event by Kathryn Campbell Dodd that we were all involved with in some way! Cragen Beca was a conch shell blown by the leader of the ‘Rebecca ‘Merched Beca’ protestors in the 19th century (without them you’d probably be paying tolls on all the roads!). For Kathryn’s project and for this fourth circle celebration of it’s anniversary event artist Ceri Owen Jones sounded a conch, each in a very different way. (Read more about Cragen Beca)
This year the sounds went into some Make Noise modules and bounced around to become some of what you hear in this.




A live audio visual improvisation with images, video and vinyl selection from this years guest Taurus, Maura Hazelden:
An aural & visual dance duet, a reminder of birthdays past, I so enjoyed the immersion in apple blossom.
It was great to feel a bit creative and to be creative in collaboration. I had thought I might use some of my work in terms of images but somehow it became a personal journey of images from birthdays & my life, some friends…photos of me (I’m not always fond of having my photo taken except in my work!), of a place close to my heart now gone, food and bluebell wood walks for my birthday, and … apple blossom.
How have I never made a link between Lily the Pink and my series of works with pink lilies?
I would like to apologise for both of us not realising that soundcloud advertising would slip in, and my lack of speed in silencing it! I might be a Quaker but I don’t endorse Franklin Graham…this is not a love song…
Thank you Jake for the invitation and a creative afternoon with plenty of joy! I am inspired to relook at some of my language/sound work and do some re-creation.
Are baby be beeping…postman puppy rabbits





























This year’s circle in 12 parts features guest artists chosen by zodiac sign, my guest for Taurus is Rhowan Alleyne:
“The playlist started by looking up people who I share my birthday with. I remembered Grace Jones already but I had forgotten about Malcolm X. I was somewhat alarmed by Pol Pot.
Then I saw Ho Chi Minh. So this is where the idea of doing something ‘revolutionary’ arose. I looked up the soundtrack for Spike Lee’s film, Malcolm X, which is where several of the vinyl choices came from. I’ve always loved The Planets suite since I played in a youth orchestra many years ago so I was really happy that Jake has that as one of his ‘base’ records. Venus transports me every time to a place of calm and beauty.
Being a swimmer, naturally I’m interested in the mermaid side of my planetary ruler. There’s an oceanic turn happening in some parts of the humanities. A paradigm shift towards a more watery understanding of the world that has huge value for the ecological and environmental movements. And our well-being.
My affinity with the ‘blue humanities’ comes from embodied immersion in the seas around the coast of west Wales. It tunes me in to the seasons and heightens environmental consciousness.
In prehistoric times sea levels were lower and the larger wild mammals were not yet extinct. Swimming at Whitesands I took my GoPro into the sea and recalled the horn of the wild bull that was found on the beach after a storm one winter. The poem about it is kind of a layering of time and experience. But it’s also about Venus, about knowledge that comes from the sea and about the only thing that’s worth doing when all else is lost, and that is to love the world and love each other unreservedly.
Sea monsters I don’t see as villains anymore but as the ultimate disrupters of human hypocrisies and vanities.”
Rhowan’s vinyl record selection: China Crisis – Performing Seals; Tracy Chapman – Talkin’ bout a revolution; Marvin Gaye – Inner City Blues; Ariel Ramirez – La Peregrinacion; Lionel Hampton – Flying Home; Herb Alpert – Surfin Senorita; Velvet Underground – Venus in Furs; Public Enemy – Revolutionary Generation; Grace Jones – Pull up to the Bumper; KLF – Justified and Ancient; Panic Allstars – Change is gonna come; Holst – Venus.
Venutian Revolution
Tracklist:
Born in the Foam
How do the ocean born love?
As though we’re the last ones
left alive on Earth
or like aurochs swimming
through flooded forests
whose lush understories swish and sway
in the undercurrents
or like navigators
who chart course
by memory of shearwaters flocking
and shoals of silvery herrings
that fly across
the darkest night skies
without fear of the depths
or turning tides
Vibrant Earth
At the beach, on the shore, in the sea
is where I am most in touch
with the Earth’s
sensory vibrancy.
In spray hanging in the air
above waves peaking on an offshore wind,
sunlight splits and rainbows flash fleetingly,
just inches away.
Time is layered
in the sediments that rise slowly above sea level,
and in the sand that is building around the marram grass.
One night a storm surge will slice through it all
and in the morning we’ll marvel at the cliff falls,
the strata, the root systems tangled and dangling.
The river in spate loosens a dinghy from its tether,
pushing it to the black rocks
where the sand sucks it down
but its red and blue stern juts out,
just like one of the jagged stones.
A tree trunk that’s drifted down the estuary
is dragged from the tideline and burnt
on the edge of the dune,
its smoke seeping into the clothes
of dancers bopping to simple minds on a bluetooth speaker
whilst waiting for a comet’s tail to fan itself
like a swan’s wing across the northern sky
Each thing it’s own thing
in time and space,
its own momentum, trajectory and tangled relationships with others, and us.
Each day,
shifting winds, tides, sunset and sunrise,
cliff falls, rainfall and currents
re-sculpt the Earth and how we know it.
Sinking and Extinction
Are sea levels rising or earth levels falling?
Either way, we better learn to swim.
The skills we need for the future
work with the ebbs and flows,
ripples, eddies,
swipes of tail flukes,
racing fins, rips, drifts and seal snorts
of a more watery world.
Of letting go of solid ground.
Of humility and fearlessness.
Of sinking into, or out of, extinction.
Revolutionary Bodies
Walking, swimming and other things that put us back in touch with our bodies, are the times when we’re in touch with our becomings. Swimming, which combines streamlining with intentional instability and surrender of total control to the forces in the waters, disrupts our usual ways of moving and thinking. Body surfing forces adaptations to our bodies and minds through gentle and crashing action. Getting slammed and scraped, sucked out and slapped in the face, pumped and dumped are all part of the battle and the fun, if you own it. A swimmer’s language is slippery, becomes fluid and mutable. Swimming re-wilds us. We submerge and we subvert. We submerge to emerge. We’re divers and freedom fighters. Sea swimming is a radical practice in flow, with the uncertainty and heartbreak of a broken world.
Big Pink Bells
You can’t think about swimming without thinking about
bodies
and the sensory experience
of touching, hosting, interacting and empathising
with other bodies.
As water sculpts the earth,
so it reshapes swimmers’ bodies;
re-enchanting us to the beauty of change,
to the thrill of connecting
and blurring our boundaries with
cold currents,
thumping shorebreak,
gritty impacts,
urchins, dorsal fins,
winds, driftwood,
sand eels, jellyfish,
rope zombies, dead crabs,
the sun, the salt.
I’m a swarm of big pink bells,
a mussell on the perch,
spider crabs spawning,
an octopus observing that it’s being observed,
a razor clam,
a forest of sandmasons fanning their tiny branches,
a lugworm cast forming,
a walrus balancing a starfish on its nose
A pebble bored by an angel wing.
My skin is as mottled as a seal pelt
as scarred as a bottle nosed dolphin’s
Crushed oyster shells, leaf mould, silt and algae cling to my wrinkles
is a swimsuit an intertidal zone?
Selkies Aren’t the Enemy
leviathan,
atargatis,
scylla
the cracen
medusa
cthulu
godzilla
ursula
jaws
the meg
sea foam
hissing and shining,
dissolving and reforming
with every wave
Other records in the mix: Roger Christian – Discover yourself through Astrology; John Dankworth – The Zodiac Variations; Cosmos – Your Stars for 1968; Norrie Paramour Orchestra – The Zodiac Suite; Cannonball Adderley presents – Soul Zodiac; Cosmic Sounds – The Zodiac; Madame Francesca – Your spoken Horoscope – Taurus







